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Anne Boleyn's literary remains: attribution, circulation, reception
Decolonising Aboriginal and Torres Strait Islander research
- Bowrey, Kathy, Hadley, Marie, Watson, Irene
Gifts that matter: Katherine Parr, Princess Elizabeth, and the Prayers or Meditations (1545)
The Authorship of the Occasional Paper (London, 1697-98)
- Walmsley, J. C., Antonia, Alexis, Craig, Hugh
Prose, verse and authorship in Dream of the Red Chamber: a stylometric analysis
- Zhu, Haoran, Lei, Lei, Craig, Hugh
"Tiret ou (ne) pas tiret? la double auctorialite chez San-Antonio et Vernon Sullivan"
- Rolls, Alistair, Sitbon, Clara
From manuscripts to metadata: understanding and structuring female-attributed complaints
- Coolahan, Marie-Louise, McCarthy, Erin
Collaboration and the early modern woman writer: materiality, authorship, performance
Supplementary materials for Shakespeare and Authorship Attribution
Feminist cinematic television: authorship, aesthetics and gender in Pamela Adlon's Better Things
Paratextual marginalia, early modern women, and collaboration
Figures du hoax litteraire: le cas de Vernon Sullivan
An information theoretic clustering approach for unveiling authorship affinities in Shakespearean era plays and poems
- Arefin, Ahmed Shamsul, Vimieiro, Renato, Riveros, Carlos, Craig, Hugh, Moscato, Pablo
- Crabb, Peter, Antonia, Alexis, Craig, Hugh
A collaboration about a collaboration: the authorship of King Henry VI, Part Three
A second opinion on 'Shakespeare and authorship studies in the twenty-first century'
George Chapman, John Davies of Hereford, William Shakespeare, and A Lover's Complaint
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